안세홍 작가: "위안부": 예술세계에서의 표현과 미디어 에 대한 대화에 참여

미 동부시간 9월18일 금요일 저녁 8시

미 서부시간 9월18일 금요일 저녁 5시

한국시간 9월19일 토요일 오전 9시

STAND @ Yale, "Comfort Women" Justice Coalition, Comfort Women Action for Redress and Education, GABRIELA USA and Lila-Pilipina proudly present:

위안부 문제와 예술가들편

안세홍 사진작가를 만나세요~~!! 

줌 미팅에 등록하시려면 여기를 클릭하세요

지난 세 번의 웨비나를 보시려면 아래 링크를 클릭하세요 

Webinar 1: https://www.youtube.com/watch?v=EYWLnBVujOM

Webinar 2: https://www.youtube.com/watch?v=QMZFqFJS250 

Webinar 3: https://youtu.be/zbVkUUOWSJQ

오는 금요일 (한국은 토요일), "위안부": 예술세계에서의 표현과 미디어 에 대한 대화에 참여하세요! 

이번 웨비나에서는 음악, 사진, 미술세계에서 "위안부"가 어떻게 표현되는지에 대한 대화를 나눌 것입니다.  스테파니 차우는 뉴욕에서 재즈와 "위안부" 문제를 접목시키는 실험적 음악을 시도하는 중국계 미국인입니다. 

안세홍 사진작가는 지난 20여년간 잊혀진 "위안부" 피해자 할머니들을 찾아다니며 사진으로 기록해 왔습니다.

This webinar series will explore representations of the "comfort women" survivors in music, photography, and art. How do we fully, truthfully, and sincerely represent the voices and lives of the women in a picture or a song? What goes into the the process of creative representation? How does media and art present additional and alternative perspectives in the wider conversation? We talk to two artists — singer, composer and saxophonist Stephanie Chou, and Korean photographer Ahn Se-Hong, to find out more.

What is Stephanie's work about, and are there ways we can learn more about her musical exploration, "Comfort Girl"?

Stephanie Chou is the writer and performer of "Comfort Girl", a musical exploration in song and story of the lives of Chinese 'comfort women'. Inspired by the true stories told by survivors, it is a tribute to the courage and spirit of these young women, who faced  captivity in the war, and often, hostility upon their return home. Stephanie's music highlights this often-overlooked, dark chapter in history that still has echoes today, as survivors continue to fight for justice, and  as human trafficking and women's rights remain major global issues. 
 

What does Ahn Se-Hong's photography work centre on?

Ahn Se-Hong's work on the "comfort women" issue began in 1996 after an experience covering the House of Sharing, a home for "comfort women" survivors, while working as a photojournalist for a magazine. Notably, Ahn hosted "comfort women" photo exhibitions in South Korea, New York, Paris and Berlin. In 2012, Ahn's attempts to hold the photo exhibition in Japan was met with backlash from Japanese revisionists, prompting organiser Nikon to cancel the exhibition citing security concerns. Ahn took the case to court, and was instrumental in the success of the lawsuit, prompting Nikon to reverse the cancellation. He also published the book I Am Not A 'Comfort Woman', containing 21 photographs of survivors of Japanese wartime sexual slavery.